Tribal Drums

Tribal Drums

Hand Drumming & Tribal Rhythms Soothe the Soul
Sunday, March 5, 2017

Hand Drumming Helps Alleviate Stress

Drumming has been recognized as a healing, cleansing, and transforming experience throughout history. Spiritual and cultural hand-drumming rituals have proven to help people process stressful situations, and communicate emotions. You too can feel the rhythm of expression, catharsis, or heightened spirituality: experience tribal hand drumming.

Drumming has been recognized as a healing, cleansing, and transforming experience throughout history. Spiritual and cultural hand-drumming rituals have proven to help people process stressful situations, and communicate emotions. You too can feel the rhythm of expression, catharsis, or heightened spirituality: experience tribal hand drumming.

Traditional societies have ceremonies of mourning, funeral rites, and curing rituals, which most often include cathartic activities, such as crying, weeping, drumming, or ecstatic dance (Szczeklik, 2005).

Local Performers Create Tribal Experiences
“People can’t believe it when I tell them I’m from Swarthmore, Pennsylvania,” laughs, Jeannine Osayande, founder of The Dunya Performing Arts Company. Their performance takes you on a captivating journey that includes audience participation, and history. You’ll learn about the importance of ritual and dance, but also about the influence of hand drumming in African, Brazilian, and Caribbean culture.

Engagement in The Arts Enriches our Lives and Builds Stronger Communities
On a cold, but sunny, Sunday afternoon, my family and I joined a large crowd of visitors taking advantage of the free cultural offerings of The Brandywine River Museum of Art.

On the First Sunday of each month until August 2017, the museum, traditionally known for its somewhat subdued paintings featuring regional and American art, opens its doors to vibrant new programming. The museum’s programming now includes dynamic performances of music, theater, and storytelling.

As we walked up the old cobblestone path that led to the modern museum, we could hear the distant drums pounding... When we got inside, those rhythmic beats began echoing through the halls. They seemed to be calling me, but I didn’t foresee how deeply I’d be affected.

We had come to see an interpretive drum and dance re-enactment, but I was shocked to discover the life force that resounded in rhythms of the drums. Dunya Performing Arts Company, and their founder, Jeannine Osayande, took us on a journey of traditional tribal dance and hand drumming. We learned how dance and drumming were weaved into the fabric of tribal life. Each joyful or solemn occasion in tribal life is marked by a ritual dance performed to the rhythm of drums.

Ms. Osayande’s group has performed throughout the U.S. and internationally for over 23 years including; Lincoln Center OOD festival, Dance Africa / Brooklyn Academy of Music, and WXPN World Cafe Live. In addition to her teaching at University of The Arts, Jeanine is an Adjunct Associate Professor at Bryn Mawr College, an Artist in Residence at Swarthmore College.

The Cathartic Nature of Drumming

In a Contemporary Study of Musical Arts: Informed by African Indigenous Knowledge Systems, by Meki Nzewi, and Odyke Nzewi, psychologists studied African tribe people concerning the significance of drumming within their culture. Researchers concluded that drumming is an integral part of tribal society.

Another research article, First Published October 1, 2000, discusses the Emotional Expression in Drumming Performance. In their experiment, two professional drummers were instructed to play three rhythm drum patterns so as to communicate specific emotions like happy, sad, angry, fearful, tender, solemn, and no expression. The study confirmed that listeners on the whole perceived the intended expressions. These findings only reiterated similar findings from multiple studies done by over 25 scholarly organizations since 1985.

* (See related articles below)

Authentic World Drums

Authentic world drums or hand drums can play a positive role in your physical, emotional, and spiritual health. Below you can read about some of the more popular drums that can be used for cathartic hand drumming.

Djembe: Maybe the most popular world drum, the djembe or jembe is a rope-tuned skin-covered goblet drum played with bare hands, originally from West Africa.

Congas: one of the most popular of hand drums, congas are made from a variety of wood or from fiberglass. The size of drum affects the sound and pitch of the instrument; the largest drums play the lower rhythms, while the smaller Quinto conga drums play the melody. When the drums are played together in twos or threes, the drums will normally be tuned to a particular chord.

Darbukas: goblet drums originating from the Middle East. The darbuka has become increasingly popular in the modern music. Darbukas stand anywhere from 9” to 16” tall; they feature a synthetic or rawhide drum head, a body made from copper or aluminum, and are typically adorned with intricate engravings.

Bongos: made by attaching two small drums. Bongos are traditionally made of wood with rawhide heads, but can also be made from other natural and synthetic materials.

Banjira: a well-known northern Indian double skin drum. Banjiras are made of wood, ceramic, or a variety of synthetic materials Heads are held in place and tuned by strap tension. Held horizontally you play both heads; the two opposing heads are bass and tenor.

These drums and more can help you navigate our stressful lives socially, psychologically, and spiritually. You can find one of largest selections of authentic tribal hand drums at X8 Drums in San Marcos, TX.

Another excellent source for hand drums and repair information is World Wide Drums in Burnsville, MN,. Here you can even find videos on repairing hand drums.

Some Recent Comments on Drumming

“Drumming is an ancient art that has played a ritualistic and spiritual role in different cultures all over the world.” spiritualnaturalistsociety.org

“For the African villager, drumming is a spiritual practice and an integral part of the social and cultural fabric of village life.” www.villagerhythms.com

The ancient practice of hand drumming is one of the most creative and pleasurable ... with physiological, psychological, and spiritual benefits to be experienced. www.transformationalarts.com.

A Quick Shout Out

I’ve just got to give a quick shout out to PNC Arts Alive project. This is a multi-year, multi-million dollar initiative of the PNC Foundation. Their goal is to help residents gain access to the arts and to help arts organizations expand and engage audiences.

Kudos to PNC! In a time when many Americans feel big banks are unscrupulous, PNC is giving back to our communities.

As a matter of fact, in Philadelphia and Southern New Jersey alone, PNC Arts Alive has awarded a total of $8 million in grants to support more than 175 arts programs and 80 organizations in an effort to increase access to the arts.

* Related Articles on Drumming and Emotional Expression

Balkwill, L.-L. and Thompson, W. F. (1999). A cross-cultural investigation of the perception of emotion in music: Psychophysical and cultural cues. Music Perception, 17, 43-64. Google Scholar

Behrens, G. A. and Green, S. B. (1993). The ability to identify emotional content of solo improvisations performed vocally and on three different instruments. Psychology of Music, 21, 20-33. Google Scholar

Bengtsson, I. and Gabrielsson, A. (1980). Methods for analyzing performance of musical rhythm. Scandinavian Journal of Psychology, 21, 257-268. Google Scholar

Clarke, E. F. (1985). Structure and expression in rhythmic performance. In: P. Howell, I. Cross, and R. West (Eds.), Musical structure and cognition, pp. 209-236. London: Academic Press. Google Scholar

Cohen, J. (1988). Statistical power analysis for the behavioral sciences (2nd ed.). New York: Academic Press. Google Scholar

Ekman, P. (1992). An argument for basic emotions. Cognition and Emotion, 6, 169-200. Google Scholar

Friberg, A. and Sundstrm, A. (1999). Jazz drummers' swing ratio in relation to tempo. Paper presented at the Acoustical Society of America ASA/EAA/DAGA '99 Meeting, Berlin, Germany.

Frick, R. W. (1985). Communicating emotion: The role of prosodic features. Psychological Bulletin, 97, 412-429. Google Scholar

Gabrielsson, A. (1988). Timing in music performance and its relations to music experience. In: J. A. Sloboda (Ed.), Generative processes in music: The psychology of perfornance, improvisation, and composition, pp. 27-51. Oxford: Clarendon Press. Google Scholar

Gabrielsson, A. (1995). Expressive intention and performance. In: R. Steinberg (Ed.), Music and the mind machine, pp. 35-47. New York: Springer. Google Scholar

Gabrielsson, A. (1999). The performance of music. In: D. Deutsch (Ed.), The psychology of music (2nd ed.), pp. 501-602). San Diego, CA.: Academic Press. Google Scholar

Gabrielsson, A. and Juslin, P. N. (1996). Emotional expression in music performance: Between the performer's intention and the listener's experience. Psychology of Music, 24, 68-91. Google Scholar

Gabrielsson, A. and Juslin, P. N. (in press). Expression in music. In: R. J. Davidson, H. H. Goldsmith, and K. R. Scherer (Eds.), Handbook of affective sciences. New York: Oxford University Press.

Gabrielsson, A. and Lindstrom, E. (1995). Emotional expression in synthesiser and sentograph performance. Psychomusicology, 14, 94-116. Google Scholar

Juslin, P. N. (1997). Emotional communication in music performance: A functionalist perspective and some data. Music Perception, 14, 383-418. Google Scholar

Juslin, P. N. and Laukka, P. (in press). Improving emotional communication in music performance through cognitive feedback. Musicae Scientiae.

Juslin, P. N. and Madison, G. (1999). The role of timing patterns in recognition of emotional expression from musical performance. Music Perception, 17, 197-221. Google Scholar

Laukka, P. (1997). Emotional expression in drumming performance. Unpublished C-level thesis, Department of Psychology, Uppsala University, Uppsala, Sweden.

Ohgushi, K. and Hattori, M. (1996). Emotional communication in performance of vocal music. In: B. Pennycook and E. Costa-Giomi (Eds.), Proceedings of the Fourth International Conference on Music Perception and Cognition, pp. 269-274. McGill University, Montreal, Canada.

Palmer, C. (1997). Music performance. Annual Review of Psychology, 48, 115-138. Google Scholar

Pittam, J. and Scherer, K. R. (1993). Vocal expression and communication of emotion. In: M. Lewis and J. M. Haviland (Eds.), Handbook of emotions, pp. 185-197. New York: Guilford Press. Google Scholar

Plutchik, R. (1994). The psychology and biology of emotion. New York: Harper-Collins College Publishers. Google Scholar

Rose, R. F. (1989). An analysis of timing in jazz rhythm section performances. Dissertation Abstracts International, 50, 3509A-3510A. (University Microfilms No. 9005520.) Google Scholar

Scherer, K. R. (1986). Vocal affect expression: A review and a model for future research. Psychological Bulletin, 99, 143-165. Google Scholar Medline

Ternstrom, S. (1996). Soundswell Signal Workstation v 3.4. Computer software, Soundswell Music Acoustics HB: Stockholm, Sweden. Google Scholar

Engaging Eyeballs Slideshare

Learn how engaging eyeballs can help promote your products and services.

or click link to watch a quick slideshare on using visuals to promote your content and your brand:
http://www.slideshare.net/AngeloDiPilla1/how-engaging-eyeballs-promotes-content-71651366

Why Inbound Marketing & Agile Methodology Work in our Gig Economy

Delivering on Freelance Writing Gigs
According to McKinsey’s Global Institute, as published in a blog  post on Fiverr, entitled “Top Tips for Making More Money in the Gig Economy in 2017,”  as much as 30% of the adult workforce is involved in some type of independent work activity. Many of those are contracting in what is now called the “Gig Economy.” As the founder of a burgeoning Inbound Marketing partnership, I was searching for a flexible content model. One in which I could draw on the assets of several talented communications specialists to help push an initiative.

Using the Agile Methodology I can pool virtual talent and focus each individual’s skillset to accomplish short-term goals. Once a goal is accomplished or a challenge is met, agile marketers analyze feedback from the campaign, sometimes called a “scrum” in more structured marketing departments. I like to stick with the term “sprint”, it seems to work better for my “small team” workflow, although technically I am running what is called a “scrumban”. These are terms used by developers that have adopted an agile methodology, and are defined in articles linked to this blog post.

My clients want to see results fast, and although Inbound Marketing tactics can increase site visitors, leads generated, and sales converted, these results are typically produced over time. Short-term gains are much more difficult to obtain.

Agile Helps Inbound Marketing Agencies Deliver Results
When inbound tactics are working, they can produce 10% to 20% improvement in overall website visitors for many months. Most inbound marketing professionals I’ve researched strive to reach a goal of delivering a 1% to 3% site-wide conversion rate for their customers, but some high-performing sites can end up with an overall conversion rates in the 8% to 10% range.

Multiple inbound articles profess, “The key to increasing site-wide conversion rate is content.” I agree, but would add that the content has to be relevant, engaging, compelling, persuasive, informative, educational, and human. That’s a tall task. And that’s what makes the inbound methodology so difficult to accomplish.

In a January 2017 blog post, “Inbound Marketing: Myth or Proven Methodology?, Square2 Marketing’s Chief Inbound Scientist, Mike Lieberman, describes how difficult it can be to create a sustainable content strategy. However, I still believe there’s no better way of delivering the right message, at the right time, to just the right audience.

Done properly, inbound marketing allows a small marketing agency to define their customer’s goals, set objectives, and begin providing relevant content that drives results. B2B companies that have allocated funds to the creation of search engine optimized copy see it as an extremely worthwhile investment. 

There are varied perspectives on the best way to plan and administer an inbound marketing strategy, but one fact remains, the best freelance marketing/ corporate partnerships come from having the right fit with your inbound marketing agency.

Customers have to feel comfortable with the pace and methods of their content creation process. My goal is to delight customers, and to provide a service experience that exceeds their expectations.

Agile Entrepreneurs Combat the Inefficiencies of the Virtual Marketing Gig
Since no single freelancer can execute a total inbound marketing plan, it’s essential for me to put together a team to achieve my customer’s marketing goals. Although, coordinating a group of freelancers may be less expensive, it is rarely as effective as a coordinated marketing team.

To combat the inefficiencies of coordinating a small group of freelancers, I use an agile marketing method  that enables me to deliver contributions from several virtual content providers, while empowering them to choose the tasks they want to take on.

Despite Common Misconceptions, Agile Still Requires a Plan
The agile marketing method doesn’t operate without a plan, for executing a communication strategy without a plan is a recipe for failure. There‘s a common misconception that adopting an agile marketing methodology means marketing by the seat of your pants, throwing things against the wall to see what sticks. On the contrary, agile marketing is simply an alternative way to deliver proposed content.

For my purposes, developing an agile method improves the quality and relevance of deliverable content and enables freelance writers to work more collaboratively, add more value and deliver campaign results more quickly. Campaigns or “sprints” that don’t produce are evaluated and tested to find what doesn’t work. There are no failures if non-productive sprints help ascertain what does work. .

Inbound Marketing Within an Agile Framework
Inbound with agile enables me to put several freelance writers on small portions of a defined imitative. An evolving inbound marketing plan helps prioritize our work on effective campaign tactics that deliver. Then, we can use past sprint results to improve the effectiveness of future campaigns.

Agile marketing enables a small group of 1-5 contributors to create higher-quality marketing campaigns by shortening time to market, testing, and responding to customers and buyers changing goals.

Fobes.com contributer, Steve Olenski, agrees. In a recent post on www.forbes.com, “13 Marketing Trends For 2017 That B2B Marketers Need To Understand“, Olenski sites agile marketing as a burgeoning trend to address the current demand for fast results in marketing campaigns. Agile Methodology allows marketing teams to work smarter, not harder. Content and campaign roll-outs are launched much quicker, and results are analyzed to initiate future projects. The goal is to get the right things done at the right time by adopting a far more collaborative approach, both within the organization and with clients.

What Is Agile Marketing
If you’re still confused about Agile Marketing, a recent article by Adrea Fryrear and published on Content Marketing Institute’s blog outlines the adaptive marketing methodology. 

An Agile team deliberately chooses what to work on by visualizing workflow on a whiteboard. With a large writing team, the method can be used with a structured, directive approach, the “Scrum,” or in a “Kanban”, a less structured method using work-in-progress (WIP) limits – the upper limits on how many work items are assigned to each content contributor. Combining components from Scrum and Kanban, a Scrumban” offers the ability for a group to develop high-quality content without being rigid about assignments and deadlines.

The trick to achieving success in an agile campaign is to prioritize a to-do list for your team. This list is referred to as the backlog. High priority tasks are placed at the top of the backlog and low-priority items are placed at the bottom.

Projects are written with customer developed personas top-of-mind. As an item moves up the backlog list its parameters become more specific. So, by the time an item gets to the top of the list it is explicitly defined. Team members pull work from the backlog.

A Sprint is Not Like a Relay Race
In a sprint, all participants are up and running at the same time. After each sprint we try to launch a short-term campaign or imitative and measure the corresponding results, even if it’s not a fully completed project. This gives my customers the ability to change direction or duplicate a campaign’s success.

In a March 2016, blog post published by Content Marketing Institute, Andrea Fryrear, comments on how content teams working in sprints can be extremely efficient in developing the content needed for a sustained content strategy.

Agile teams work in sprints, defined as set periods during which team members aim to complete a set amount of work that’s connected to a long-term plan. Each sprint lasts between 1-4 weeks, with two weeks being the most common duration. Agile marketers working in sprints are said to produce content which is typically more buyer-focused, and which addresses both the quality and quantity of content.

If you’re a one-person marketing force working in this gig economy, and you’re looking to augment your content offerings with virtual contributions from other freelance writers, inbound marketing within an agile framework can be your solution to providing customer-focused, high-quality content while keeping your writing partners committed and engaged.

3 Reasons Why You Should Still Use Email Marketing


3 Reasons Why You Should Still Use Email Marketing.

With all the clutter and spam being generated by email marketers, many many owners
and marketing professionals are asking,

Is email marketing still effective?
I know you’ve seen way too many of these types of sales pitches  in your inbox, and
you’re thinking, nobody is gonna fall for these schmaltzy schemes any more. However,
the the facts prove the contrary.

Email solicitations are still one of the most cost-effective forms of marketing, and they
work. The Sales & Marketing Executives Club of LA point out three major findings in a
recent survey.

  1.  74% of consumers prefer to receive commercial communications via email.Although
    you may think cold calling, print advertising or salesmen stopping by for

    a visit may yield a greater ROI, Email Marketing still has a higher rate of conversion. 
  2.  138% more is spent by consumers who receive email offers than those who don’t.Today’s
    consumers aren’t looking to be sold. They don’t want fast talking salesmen,

    or flashy promotional materials. They want to be educated and informed. They want
    proof that your product or service is the best solution. A well conceived customer-
    focused email may be the best way to lead prospects to your product or your solution. 
  3.  66% of consumers made a purchase online as a result of an email marketing message.
    Consumers want to be led along a buying journey that considers their needs and their
    desires. Individual offers made to segmented markets convert sales. For even greater
    conversion rates. Present offers to buyers who are at different stages of the buying cycle.
    Hubspot.com Inbound Marketing suggests three offers: one to attract buyers who may not
    know you; or your product; one to convert buyers who are still considering their options;
    and one to close buyers who are ready to make a decision.For more information on using
    email marketing and landing pages to increase sales check
    out our email marketing facts sheet
    [PDF]. Also check out this article, Can Cold Email Marketing Really Work, which was
    originally published by Wealthy Web Writer.

Top